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Patta Patta Boota Boota: Laxmikant Pyarelal & Majrooh Sultanpuri

Laxmikant Pyarelal & Majrooh Sultanpuri

The trio have given various films music and lyrics together, here I speak about one of the closest to my heart.

पत्ता-पत्ता बूटा-बूटा हाल हमारा जाने है
जाने न जाने गुल ही न जाने बाघ तो सारा जाने है 



"Pattaa Pattaa Boota Boota haal hamaaraa jaane hai
jaane na jaane gul hii na jaane, baaG to saaraa jaane hai"

The immortal  scripts/verses was originally written by the 16th-17th century noted poet Mir Taqi Mir. Further extended by by Majrooh Sultanpuri for the film "Ek Nazar" and it was soulfully composed by Laxmikant and Pyarelal and flawlessly renderred by the God's voice Mohd. Rafi Saab & evergreen Lata Mangeshkar ji.




My favourite part in this song is that the song starts with female and completes the mukhda.

The surprise is Rafi Saab is heard with his honey coated voice in the 1st antra with

"koi kisi ko chaahey, toh kyun gunaah samajhate hai log,
koi kisi ki khaatir, tarase agar to hansate hai log,
begaanaa aalam hai saaraa, yahaan to koi hamaaraa,
dard nahi pahachaane hai, pattaa pattaa"
Waah Waah,  How beautiful poem are these to express to your loved one.

And coming with Rafi Saab voice makes it more beautiful. It simply amazing. And it's a bliss to hear Patta Patta boota boota after antra by Rafi saab..kamaal
The theka of dholak, ahaahaaa.

I find this one can be rated as one of the finest duets of LP saabs from their top or best love duets.
Aur hamare LP saabs ne simply bana liye wo bhi itni asaani se jaise hum angoor todkar khaate hai.

It will be morning to night and no wonder how many more days & nights we would spend to listen and make such beautiful songs of Laxmikant Pyarelal.

Such is the spell of LP

Love UdayM





लक्ष्मीकांत प्यारेलाल और मजरूह सुल्तानपुरी.

तीनों ने विभिन्न फिल्मों को एक साथ संगीत और गीत दिए हैं, यहां मैं अपने दिल के सबसे करीब से एक के बारे में बात करता हूं।

"पत्ता-पत्ता बूटा-बूटा हाल हमारा जाना है
जाने न जाने गुल ही न जाने बाघ तो सारा जाना है"

मूल रूप से 16 वीं -17 वीं शताब्दी के प्रसिद्ध कवि मीर तकी मीर ने लिखा था। मजरूह सुल्तानपुरी द्वारा फिल्म" एक नजर "के लिए आगे बढ़ाया गया था और यह था। आध्यात्मिक रूप से लक्ष्मीकांत और प्यारेलाल द्वारा रचित और भगवान की आवाज मोहम्मद रफी साब और सदाबहार लता मंगेशकर जी द्वारा प्रस्तुत किया गया।



इस गीत में मेरा पसंदीदा हिस्सा यह है कि यह गीत मादा से शुरू होता है और मुखड़ा को पूरा करता है।

आश्चर्य की बात यह है कि रफ़ी साहब को पहली ही अंतरा में उनकी मधुमयी आवाज़ सुनाई देती है

"कोइ किसि कहै, तोह कुन गुनह समुझते हैं।"
कोई कैसी, खातिर, तड़प अगर हैसते है लोग,
बेगाना आलम है सरा, येहन से कोई हमरा,
दरद न पछैने है, पटता है "

वाह, अपने प्रियजन को व्यक्त करने के लिए ये कितनी सुंदर कविता हैं।

और रफ़ी साब की आवाज़ के साथ आने से यह और अधिक सुंदर हो जाता है। यह बस अद्भुत है।

ऐसी आवाज़ और ऐसी धुन नज़ाकत वाली हरकत खासकर चाहे शब्द पर, मानो जैसे दिल पे तीर चल जाता है. 

और यह रफ़ी साहब..कमल द्वारा अंतरा के बाद पट्टा पट्टा बूटा सुनने का आनंद है
ढोलक की थाप, आहाहा।

मुझे लगता है कि यह उनके शीर्ष या सर्वश्रेष्ठ प्रेम युगल में से एक के रूप में एलपी साहब के सबसे अच्छे युगल में से एक हो सकता है


और हमरे एलपी साहब ने बस बन जाए वही इतनी असानी से जईसे हम अंगुर तोड़े खाटे है।

Love
UdayM

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